Featuring a dance quintet with flowing parachute-like fabric trails, Bruno Benne shapes his vision of Baroque codification through a contemporary lens. Building on the musical and spatial structures of the Baroque arts, he explores continuous movements and minimalist choreographies in an intimate dialogue with the music. 

The performance is accompanied by an original soundtrack for two harpsichords, combining transcriptions of J.S. Bach with newly composed pieces by Youri Bessières. 

Prendre l’Air may be performed with live harpsichords or a recorded soundtrack.